Brus, Muehl, Nitsch, Schwarzkogler: Writings of the Vienna Actionists
Günter Brus, Hermann Nitsch, Rudolf Schwarzkogler, Otto Muehl
1999
Brus, Muehl, Nitsch, Schwarzkogler: four artists who, during the Sixties, became notorious for pushing the possibilities of art to an extreme which has yet to be surpassed. Variously fined, jailed, and forced into exile, they were ignored by the art establishment of the day, only to be hailed in recent years as one of the most outstanding and unique contributions to post-war art in Europe. Exaggeration and myth still obscure their activities, however, and their actual motives for an art centred on the examination of taboos, the “hidden” secrets of the body, the aesthetics of destruction and the possibilities of regeneration have remained elusive. Subsequent generations of artists have claimed them as their forefathers or unscrupulously borrowed their ideas (but without approaching the intensity of their actions), and while international exhibitions have reclaimed their work for the visual arts, their writings have remained largely unpublished since they first appeared in small mimeographed editions. This anthology of photo-documentation and writings—which includes manifestos, theoretical texts action scores, press reports, letters, police, psychiatric (!) and court reports and extensive photographic documentation covering the most intensive period of the Actionists’ productions (1962-1974)—has been assembled in collaboration with the three surviving artists. It provides the first comprehensive survey of their work, and for the first time illuminates their differing intentions. These texts employ humour and vitriol to elaborate a position in total opposition to contemporary social, political and aesthetic mores. A lucid narrative emerges of a determined exploration of these conditioning factors, by means of an art that used life itself as material. The Vienna Actionists were indeed unique—at the very outset of post-war performance art they trod a path very different from the “Happenings” in the USA or the belated neo-Dada pranks of many of their contemporaries. They not only established a new territory for art but they explored it so thoroughly as to make most subsequent “body art” simply irrelevant.
Atlas Press
Atlas Press
Identifier
L0043Call Number
PN2193.E86 B78 1999Extent
257 pages : illustrations ; softcover 23 cmLanguage
ISBN
1900565102Place of Publication
London, UKPublication Type
PrintEditor
Malcolm GreenPublisher
Atlas PressCollection
grunt gallery LibraryCopyright 1999 Atlas Press.